2. Photography

Ego shots from the film days.

Production stills and some video.
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Jim Blashfield with his Bolex and hammer. 1977.<br /> Photo: Richard Blakeslee
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Jim Blashfield with his Bolex and hammer. 1977.
Photo: Richard Blakeslee

  • Industrial Film; Yokohama, Japan; Kiyo Mourakami, second camera. 1978. <br /> Photo: Dan Biggs.
  • Kiyo Mourakami, second camera, Dan Biggs, producer/director. 1978. <br /> Photo: Richard Blakeslee
  • "The Mid-Torso of Inze", Jim Blashfield, filmmaker. 1978, <br /> Photo: Richard Blakeslee
  • Jim Blashfield with his Bolex and hammer. 1977.<br /> Photo: Richard Blakeslee
  • Vern Luce, Jim Blashfield's partner on, "The Mid-Torso of Inez". 1977.<br /> Photo: Richard Blakeslee
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  • Rick Johnson, producer, director, cameraman; Tom Gordon, Peggy Miles. A film on the Warm Springs Indian Reservation. 1979.<br /> Photo: Richard Blakeslee
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  • "A Family Affair", 1980. <br /> Photo: Tom Lipman
  • "A Family Affair", crew. 1980.
  • "Sam and His Cart". 1981. Photo: Laureen McLeod
  • "Sam and His Cart". Tom Gordon on the crane. 1981. <br /> Photo: Laureen MacLeod.
  • "Sam and His Cart". Peggy Miles adjusts the audio as the rest of the crew waits. Gary Moore on the boom, Daniel Hoffman, producer/director, sitting lower right. 1981<br /> Photo: Photo: Laureen MacLeod.
  • "Magic Nail", 1980. Don Zavin, producer/director.
  • Second unit on, 'St. Helens'. Tom Chamberlin throwing chicken.<br /> Photo: Ancil Vance.
  • "St. Helen's", second unit. Tom Chamberlin, watching. 1981.<br /> Photo: Ancil Vance
  • "St. Helen's", Tom Chamberlin, watching. 1981.
  • "Dudley Carter, Wood Carver". <br /> Photo: Abby Sher. 1983.
  • "Cornerstone", Harry Dawson watching. 1983. <br /> Photo: Margaret Miles.
  • "Cornerstone" Chuck Roseberry; Peggy Miles; Clare Macken, producer/director. 1983.<br /> Photo: Tom Lipman.
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